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Mark Ryden. Pinxit
USD220,00
Aproximadamente193,15 EUR
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- ¡Cómpralo ya!Mark Ryden. Pinxit
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USD35,00 (aprox. 30,73 EUR) Flat Rate Freight.
Ubicado en: Ciudad de Buenos Aires, Argentina
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Variable
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30 días para devoluciones. El comprador paga el envío de la devolución..
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N.º de artículo de eBay:325878192125
Última actualización el 24 sep 2024 19:47:47 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- Type
- Paperback
- Book Series
- Photography
- ISBN
- 9783836539821
Acerca de este producto
Product Identifiers
Publisher
Taschen
ISBN-10
3836539829
ISBN-13
9783836539821
eBay Product ID (ePID)
219122936
Product Key Features
Book Title
Mark Ryden. Pinxit
Number of Pages
368 Pages
Language
English
Publication Year
2016
Topic
History / Contemporary (1945-), Criticism & Theory, General, American / General
Illustrator
Yes
Genre
Art
Format
Hardcover
Dimensions
Item Height
12.6 in
Item Weight
88.1 Oz
Item Length
1.4 in
Item Width
8.1 in
Additional Product Features
Intended Audience
Trade
LCCN
2018-459838
Dewey Edition
23
Dewey Decimal
759.2
Synopsis
Blending themes of pop culture with techniques reminiscent of the old masters, Mark Ryden has created a singular style that blurs the traditional boundaries between high and low art. His work first garnered attention in the 1990s when he ushered in a new genre of painting, "Pop Surrealism," dragging a host of followers in his wake. He has trumped the initial surrealist strategies by choosing subject matter loaded with cultural connotation.Ryden's vocabulary ranges from cryptic to cute, treading a fine line between nostalgic cliché and disturbing archetype. Seduced by his infinitely detailed and meticulously glazed surfaces, the viewer is confronted with the juxtaposition of the childhood innocence and the mysterious recesses of the soul. A subtle disquiet inhabits his paintings; the work is achingly beautiful as it hints at darker psychic stuff beneath the surface of cultural kitsch. In Ryden's world cherubic girls rub elbows with strange and mysterious figures. Ornately carved frames lend the paintings a baroque exuberance that adds gravity to their enigmatic themes. Complex in its arcane and idiosyncratic subject matter, Ryden's work can leave no viewer unmoved.Pinxit, whose title refers to the Latin term meaning "painted by," is organized by the themes of Ryden's major exhibitions-The Meat Show, Bunnies & Bees, The Tree Show, and so on-and includes collected essays by Yoshitomo Nara, Carlo McCormick, and others, and a new essay by culture critic Kristine McKenna. This sweeping retrospective brings together nearly two decades' worth of Mark Ryden's paintings and works on paper, broadening the horizons of his uncanny universe and bringing it to the world, one page at a time., Blending themes of pop culture with techniques reminiscent of the old masters, Mark Ryden has created a singular style that blurs the traditional boundaries between high and low art. His work first garnered attention in the 1990s when he ushered in a new genre of painting, "Pop Surrealism," dragging a host of followers in his wake. He has trumped the initial surrealist strategies by choosing subject matter loaded with cultural connotation.Ryden's vocabulary ranges from cryptic to cute, treading a fine line between nostalgic clich and disturbing archetype. Seduced by his infinitely detailed and meticulously glazed surfaces, the viewer is confronted with the juxtaposition of the childhood innocence and the mysterious recesses of the soul. A subtle disquiet inhabits his paintings; the work is achingly beautiful as it hints at darker psychic stuff beneath the surface of cultural kitsch. In Ryden's world cherubic girls rub elbows with strange and mysterious figures. Ornately carved frames lend the paintings a baroque exuberance that adds gravity to their enigmatic themes. Complex in its arcane and idiosyncratic subject matter, Ryden's work can leave no viewer unmoved.Pinxit, whose title refers to the Latin term meaning "painted by," is organized by the themes of Ryden's major exhibitions--The Meat Show, Bunnies & Bees, The Tree Show, and so on--and includes collected essays by Yoshitomo Nara, Carlo McCormick, and others, and a new essay by culture critic Kristine McKenna. This sweeping retrospective brings together nearly two decades' worth of Mark Ryden's paintings and works on paper, broadening the horizons of his uncanny universe and bringing it to the world, one page at a time., This sweeping retrospective surveys two decades of Mark Ryden's uncanny painted universe. Organized by the themes of Ryden's major exhibitions, the collection showcases his unique juxtaposition of high and low art and the disquiet that lingers in his admixture of cuteness, kitsch, and arcane archetype.
LC Classification Number
ND237
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